Moonshine by Archie Hamilton cover art

30s preview

Key
1A · A♭ minor
BPM
127
Open Key
6m
Energy
85/100
Pop
0/100
Length
7:11
Released
2021
Album
R: Evolution EP
Genre
Tech House
Loudness
-10.3 dB
Dynamics
9.9 dB
ISRC
GBJX33720110

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in A♭ minor (1A), Moonshine is a peak-time tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Archie Hamilton's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 90% of Archie Hamilton's catalogue
Groove:
less groove-driven than 78% of Archie Hamilton's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood24Dark
Groove79
Acoustic0
Instrumental87
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Moonshine in?

Moonshine by Archie Hamilton is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Moonshine?

Moonshine runs at 127 BPM, a peak-time tempo track.

What mixes well with Moonshine?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Moonshine good for peak time?

With energy 85 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Archie Hamilton

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track