Whisper (with James Yuill) - John Summit Extended Remix by John Summit cover art

Whisper (with James Yuill) - John Summit Extended Remix

John Summit

30s preview

Key
8B · C major
BPM
127
Open Key
1d
Energy
85/100
Pop
2/100
Length
5:35
Released
2021
Album
Whisper (with James Yuill) [John Summit Remix]
Genre
House
Loudness
-8.4 dB
Dynamics
11.1 dB
ISRC
GBCPZ2120059

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Whisper (with James Yuill) - John Summit Extended Remix: peak-time tempo house, C major (8B), 127 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 85% of John Summit's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 82% of John Summit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood52Balanced
Groove80
Acoustic0
Instrumental72
Live3
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Whisper (with James Yuill) - John Summit Extended Remix in?

Whisper (with James Yuill) - John Summit Extended Remix by John Summit is in C major, or 8B on the Camelot wheel.

What BPM is Whisper (with James Yuill) - John Summit Extended Remix?

Whisper (with James Yuill) - John Summit Extended Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with Whisper (with James Yuill) - John Summit Extended Remix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Whisper (with James Yuill) - John Summit Extended Remix good for peak time?

With energy 85 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More house

More from John Summit

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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