Mainframe - Dub Tiger Remix
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2021
- Album
- The Remixes
- Genre
- Tech House
- Loudness
- -9.1 dB
- Dynamics
- 9.2 dB
- ISRC
- CARH11900133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mainframeoriginal4A · 127
- Mainframe - Aguilar Remixremix8B · 126
- Mainframe - Classy Touch Remixremix9B · 127
- Mainframe - James Hopkins & Cato Kane Remixremix11A · 127
- Mainframe - Leo Franco Remixremix11B · 128
- Mainframe - Mike Teknii Remixremix8A · 127
Against the original (4A at 127 BPM), this version holds the same tempo and moves the key from 4A to 3A.
At 127 BPM in B♭ minor (3A), Mainframe - Dub Tiger Remix is a peak-time tempo tech house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Carlo Lio's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 86% of Carlo Lio's catalogue
- Brightness:
- darker than 78% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Mainframe - Dub Tiger Remix in?
Mainframe - Dub Tiger Remix by Carlo Lio is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Mainframe - Dub Tiger Remix?
Mainframe - Dub Tiger Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Mainframe - Dub Tiger Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Mainframe - Dub Tiger Remix good for peak time?
With energy 85 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
