It's Majik - Terry Lee Brown Junior Remix
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 8:55
- Released
- 2006
- Album
- It's Majik
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 15.4 dB
- ISRC
- DEBL60717521
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's Majikoriginal10A · 130
- It's Majikoriginal10A · 130
- It's Majik - Dubversion1B · 130
Against the original (10A at 130 BPM), this version runs 3 BPM slower and moves the key from 10A to 11A.
At 127 BPM in F♯ minor (11A), It's Majik - Terry Lee Brown Junior Remix is a peak-time tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. More underground than 99% of Gui Boratto's catalogue.
- Energy:
- hotter than 83% of Gui Boratto's catalogue
- Tempo:
- faster than 77% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is It's Majik - Terry Lee Brown Junior Remix in?
It's Majik - Terry Lee Brown Junior Remix by Gui Boratto is in F♯ minor, or 11A on the Camelot wheel.
What BPM is It's Majik - Terry Lee Brown Junior Remix?
It's Majik - Terry Lee Brown Junior Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with It's Majik - Terry Lee Brown Junior Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is It's Majik - Terry Lee Brown Junior Remix good for peak time?
With energy 85 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
