Go Back (feat. Julia Church)
30s preview
- Key
- 6A · G minor
- BPM
- 136
- Open Key
- 11m
- Energy
- 92/100
- Pop
- 71/100
- Length
- 3:41
- Released
- 2024
- Album
- Comfort In Chaos
- Genre
- Progressive House
- Label
- Experts Only
- Loudness
- -1.7 dB
- Dynamics
- 9.5 dB
- ISRC
- USUG12402628
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Go Backoriginal6A · 136
- Go Back (feat. Julia Church) - Kyle Watson Remixremix6A · 130
- Go Back (feat. Julia Church) - YDG Remixremix6A · 145
A driving up-tempo progressive house cut, Go Back (feat. Julia Church) sits in G minor (6A) at 136 BPM. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of John Summit's catalogue.
- Groove:
- less groove-driven than 96% of John Summit's catalogue
- Brightness:
- darker than 90% of John Summit's catalogue
- Tempo:
- faster than 88% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Go Back (feat. Julia Church) in?
Go Back (feat. Julia Church) by John Summit is in G minor, or 6A on the Camelot wheel.
What BPM is Go Back (feat. Julia Church)?
Go Back (feat. Julia Church) runs at 136 BPM, a driving up-tempo track.
What mixes well with Go Back (feat. Julia Church)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Go Back (feat. Julia Church) good for peak time?
With energy 92 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 136 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More progressive house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
