Go Back by John Summit cover art
Key
6A · G minor
BPM
136
Open Key
11m
Energy
92/100
Pop
63/100
Length
3:41
Released
2024
Genre
Drum N Bass
Label
Experts Only
Loudness
-1.7 dB
ISRC
USUG12406519

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Go Back is a driving up-tempo drum n bass track in G minor (6A) at 136 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. Less groove-driven than 96% of John Summit's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 94% of John Summit's catalogue
Reach:
better known than 90% of John Summit's catalogue
Tempo:
faster than 88% of John Summit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood6Dark
Groove39
Acoustic16
Instrumental0
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Go Back in?

Go Back by John Summit is in G minor, or 6A on the Camelot wheel.

What BPM is Go Back?

Go Back runs at 136 BPM, a driving up-tempo track.

What mixes well with Go Back?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Go Back good for peak time?

With energy 92 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 136 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

#Track

More drum n bass

More from John Summit

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track