Guilt - Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 136
- Open Key
- 9m
- Energy
- 85/100
- Pop
- 19/100
- Length
- 2:57
- Released
- 2011
- Album
- Guilt
- Genre
- Dubstep
- Label
- More Than Alot Records
- Loudness
- -3.8 dB
- Dynamics
- 8.6 dB
- ISRC
- GB6UF1000018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Guiltoriginal4A · 139
- Guilt - Nero VIP Mixoriginal3A · 140
- Guilt - Alternative Versionoriginal4A · 138
- Guilt - Culture Shock Remixremix3A · 174
Against the original (4A at 139 BPM), this version runs 3 BPM slower in the same key.
Guilt - Radio Edit is a driving up-tempo dubstep track in F minor (4A) at 136 BPM. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Less groove-driven than 88% of Nero's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Guilt - Radio Edit in?
Guilt - Radio Edit by Nero is in F minor, or 4A on the Camelot wheel.
What BPM is Guilt - Radio Edit?
Guilt - Radio Edit runs at 136 BPM, a driving up-tempo track.
What mixes well with Guilt - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Guilt - Radio Edit good for peak time?
With energy 85 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 136 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
