Shake That by Monika Kruse cover art

Shake That

Monika Kruse

30s preview

Key
6B · B♭ major
BPM
136
Open Key
11d
Energy
89/100
Pop
1/100
Length
6:05
Released
2002
Album
Abseits
Genre
Techno
Label
Terminal M
Loudness
-9.5 dB
Dynamics
12.9 dB
ISRC
DEH740200524

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Shake That is a driving up-tempo techno track in B♭ major (6B) at 136 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2002 production that still circulates in sets. Brighter than 85% of Monika Kruse's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood52Balanced
Groove78
Acoustic0
Instrumental92
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Shake That in?

Shake That by Monika Kruse is in B♭ major, or 6B on the Camelot wheel.

What BPM is Shake That?

Shake That runs at 136 BPM, a driving up-tempo track.

What mixes well with Shake That?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Shake That good for peak time?

With energy 89 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 136 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

More techno

More from Monika Kruse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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