Klepht by Eric Prydz cover art

30s preview

Key
9A · E minor
BPM
126
Open Key
2m
Energy
64/100
Pop
31/100
Length
6:09
Released
2016
Genre
House
Loudness
-8.5 dB
Dynamics
12.4 dB
ISRC
GBUM71507495

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Klepht is a club-tempo house track in E minor (9A) at 126 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Groovier than 95% of Eric Prydz's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 90% of Eric Prydz's catalogue
Energy:
calmer than 88% of Eric Prydz's catalogue
Tempo:
slower than 78% of Eric Prydz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood20Dark
Groove75
Acoustic4
Instrumental76
Live19
Speech4
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Klepht in?

Klepht by Eric Prydz is in E minor, or 9A on the Camelot wheel.

What BPM is Klepht?

Klepht runs at 126 BPM, a club-tempo track.

What mixes well with Klepht?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Klepht good for peak time?

With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Eric Prydz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track