Lately - Adam Ten & Mita Gami Remix
- BPM
- 126
- Open Key
- 4m
- Energy
- 65/100
- Pop
- 53/100
- Length
- 3:36
- Released
- 2024
- Album
- Lately (Adam Ten & Mita Gami Remix)
- Genre
- Dance Pop
- Loudness
- -8.5 dB
- ISRC
- USRE12400439
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Latelyoriginal12A · 126
- Lately - Enamour Remixremix12A · 126
- Latelyoriginal12A · 122
Against the original (12A at 126 BPM), this version holds the same tempo and moves the key from 12A to 11A.
At 126 BPM in F♯ minor (11A), Lately - Adam Ten & Mita Gami Remix is a club-tempo dance pop production. The mix is almost entirely instrumental. Brighter than 95% of Rufus Du Sol's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 92% of Rufus Du Sol's catalogue
- Tempo:
- faster than 88% of Rufus Du Sol's catalogue
- Reach:
- better known than 87% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lately - Adam Ten & Mita Gami Remix in?
Lately - Adam Ten & Mita Gami Remix by Rufus Du Sol is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lately - Adam Ten & Mita Gami Remix?
Lately - Adam Ten & Mita Gami Remix runs at 126 BPM, a club-tempo track.
What mixes well with Lately - Adam Ten & Mita Gami Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lately - Adam Ten & Mita Gami Remix good for peak time?
With energy 65 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
