You Need Some - Zoo Brazil
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:23
- Released
- 2012
- Album
- You Need Some
- Genre
- Tech House
- Loudness
- -7.4 dB
- Dynamics
- 11.2 dB
- ISRC
- DEAA21200047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Need Some - Original Mixoriginal9A · 126
You Need Some - Zoo Brazil runs 126 BPM in A minor (8A), a club-tempo tech house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. More underground than 99% of Marco Lys's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 97% of Marco Lys's catalogue
- Groove:
- groovier than 93% of Marco Lys's catalogue
- Low end:
- more bass-heavy than 80% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You Need Some - Zoo Brazil in?
You Need Some - Zoo Brazil by Marco Lys is in A minor, or 8A on the Camelot wheel.
What BPM is You Need Some - Zoo Brazil?
You Need Some - Zoo Brazil runs at 126 BPM, a club-tempo track.
What mixes well with You Need Some - Zoo Brazil?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is You Need Some - Zoo Brazil good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
