Mondfahrt
30s preview
- BPM
- 126
- Open Key
- 4d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2011
- Genre
- Tech House
- Loudness
- -9.7 dB
- Dynamics
- 11.8 dB
- ISRC
- DEN951103968
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in A major (11B), Mondfahrt is a club-tempo tech house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Jonas Saalbach's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Jonas Saalbach's catalogue
- Tempo:
- faster than 94% of Jonas Saalbach's catalogue
- Groove:
- groovier than 80% of Jonas Saalbach's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Mondfahrt in?
Mondfahrt by Jonas Saalbach is in A major, or 11B on the Camelot wheel.
What BPM is Mondfahrt?
Mondfahrt runs at 126 BPM, a club-tempo track.
What mixes well with Mondfahrt?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Mondfahrt good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Jonas Saalbach
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.