Schatten
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2016
- Album
- Schatten EP
- Genre
- Tech House
- Loudness
- -11.1 dB
- Dynamics
- 9.8 dB
- ISRC
- GBENT1618992
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Schatten sits in B minor (10A) at 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Kevin Over's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 95% of Kevin Over's catalogue
- Tempo:
- faster than 88% of Kevin Over's catalogue
- Brightness:
- darker than 87% of Kevin Over's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Schatten in?
Schatten by Kevin Over is in B minor, or 10A on the Camelot wheel.
What BPM is Schatten?
Schatten runs at 126 BPM, a club-tempo track.
What mixes well with Schatten?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Schatten good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Kevin Over
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
