Emerald - Henry Saiz Remix
30s preview
- BPM
- 126
- Open Key
- 7d
- Energy
- 63/100
- Pop
- 2/100
- Length
- 9:16
- Released
- 2010
- Album
- Emerald
- Genre
- Progressive House
- Loudness
- -5.1 dB
- Dynamics
- 7.7 dB
- ISRC
- GBEPM0700140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Emerald - Repriseoriginal4A · 130
- Emeraldoriginal4A · 130
- Emerald - Grayarea's Speakeasy remixremix3B · 130
- Emerald - Bedrock Dubversion3B · 130
- Emerald - Charlie May's Quartzite Cluster Mixoriginal3B · 130
- Emerald - Filterheadz Remixremix4A · 130
Against the original (4A at 130 BPM), this version runs 4 BPM slower and moves the key from 4A to 2B.
Emerald - Henry Saiz Remix runs 126 BPM in F♯ major (2B), a club-tempo progressive house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 98% of Nick Muir's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 85% of Nick Muir's catalogue
- Brightness:
- darker than 82% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Emerald - Henry Saiz Remix in?
Emerald - Henry Saiz Remix by Nick Muir is in F♯ major, or 2B on the Camelot wheel.
What BPM is Emerald - Henry Saiz Remix?
Emerald - Henry Saiz Remix runs at 126 BPM, a club-tempo track.
What mixes well with Emerald - Henry Saiz Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Emerald - Henry Saiz Remix good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Nick Muir
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
