Emerald - Grayarea's Speakeasy remix
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 6/100
- Length
- 10:42
- Released
- 2003
- Album
- Emerald (Grayarea's Speakeasy remix)
- Genre
- Progressive House
- Loudness
- -9.0 dB
- Dynamics
- 16.2 dB
- ISRC
- GBEPM0300197
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Emerald - Repriseoriginal4A · 130
- Emeraldoriginal4A · 130
- Emerald - Bedrock Dubversion3B · 130
- Emerald - Charlie May's Quartzite Cluster Mixoriginal3B · 130
- Emerald - Filterheadz Remixremix4A · 130
- Emerald - Henry Saiz Psychedelic Tech Tooloriginal9A · 126
Against the original (4A at 130 BPM), this version holds the same tempo and moves the key from 4A to 3B.
At 130 BPM in D♭ major (3B), Emerald - Grayarea's Speakeasy remix is a peak-time tempo progressive house production. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2003 production that still circulates in sets. Brighter than 97% of Nick Muir's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 91% of Nick Muir's catalogue
- Low end:
- more treble-tilted than 88% of Nick Muir's catalogue
- Tempo:
- faster than 87% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Emerald - Grayarea's Speakeasy remix in?
Emerald - Grayarea's Speakeasy remix by Nick Muir is in D♭ major, or 3B on the Camelot wheel.
What BPM is Emerald - Grayarea's Speakeasy remix?
Emerald - Grayarea's Speakeasy remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Emerald - Grayarea's Speakeasy remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Emerald - Grayarea's Speakeasy remix good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
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How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Nick Muir
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
