50 Noises - Uwe Remix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 7:18
- Released
- 2013
- Album
- 50 Noises EP
- Genre
- Techno
- Loudness
- -12.3 dB
- Dynamics
- 9.1 dB
- ISRC
- USLZJ1394143
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 50 Noises - Loopnoise Remixremix9B · 127
- 50 Noises - Original Mixoriginal9A · 125
- 50 Noises - Oscar Palacios Remixremix9A · 125
Against the original (9A at 125 BPM), this version runs 1 BPM faster and moves the key from 9A to 3A.
At 126 BPM in B♭ minor (3A), 50 Noises - Uwe Remix is a club-tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Andres Campo's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 92% of Andres Campo's catalogue
- Energy:
- calmer than 91% of Andres Campo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is 50 Noises - Uwe Remix in?
50 Noises - Uwe Remix by Andres Campo is in B♭ minor, or 3A on the Camelot wheel.
What BPM is 50 Noises - Uwe Remix?
50 Noises - Uwe Remix runs at 126 BPM, a club-tempo track.
What mixes well with 50 Noises - Uwe Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is 50 Noises - Uwe Remix good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Andres Campo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
