Ligne Jaune by Andres Campo cover art

Ligne Jaune

Andres Campo

30s preview

Key
10B · D major
BPM
140
Half-time
70
Open Key
3d
Energy
68/100
Pop
19/100
Length
5:21
Released
2025
Album
Domaine
Genre
Techno
Label
DCLTD
Loudness
-8.3 dB
Dynamics
8.0 dB
ISRC
GBUR62001015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Ligne Jaune sits in D major (10B) at 140 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Andres Campo's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 89% of Andres Campo's catalogue
Groove:
groovier than 89% of Andres Campo's catalogue
Energy:
calmer than 83% of Andres Campo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood8Dark
Groove81
Acoustic5
Instrumental54
Live11
Speech24

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Ligne Jaune in?

Ligne Jaune by Andres Campo is in D major, or 10B on the Camelot wheel.

What BPM is Ligne Jaune?

Ligne Jaune runs at 140 BPM, a driving up-tempo track.

What mixes well with Ligne Jaune?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Ligne Jaune good for peak time?

With energy 68 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

More techno

More from Andres Campo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track