Skyscrapers - Vladimir Dubyshkin Hungover Mix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3d
- Energy
- 66/100
- Pop
- 1/100
- Length
- 5:07
- Released
- 2021
- Album
- Skyscrapers (Remixes)
- Genre
- Techno
- Label
- Nina Kraviz Music
- Loudness
- -7.5 dB
- Dynamics
- 10.6 dB
- ISRC
- QMFME2194725
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Skyscrapers - Hi-Lo Remixremix8B · 132
- Skyscrapersoriginal8A · 133
- Skyscrapers - Radio Editversion9B · 133
- Skyscrapers - Solomun Remixremix5A · 132
- Skyscrapers (Locked Groove Belgium mix)original8A · 144
- Skyscrapers - Solomun Remix - Radio Editremix5A · 132
Against the original (8A at 133 BPM), this version runs 7 BPM faster and moves the key from 8A to 10B.
A driving up-tempo techno cut, Skyscrapers - Vladimir Dubyshkin Hungover Mix sits in D major (10B) at 140 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 87% of Nina Kraviz's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 84% of Nina Kraviz's catalogue
- Tempo:
- faster than 82% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Skyscrapers - Vladimir Dubyshkin Hungover Mix in?
Skyscrapers - Vladimir Dubyshkin Hungover Mix by Nina Kraviz is in D major, or 10B on the Camelot wheel.
What BPM is Skyscrapers - Vladimir Dubyshkin Hungover Mix?
Skyscrapers - Vladimir Dubyshkin Hungover Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Skyscrapers - Vladimir Dubyshkin Hungover Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Skyscrapers - Vladimir Dubyshkin Hungover Mix good for peak time?
With energy 66 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
