Future Shock - Mutata Mix 2007
- BPM
- 140
- Half-time
- 70
- Open Key
- 6m
- Energy
- 67/100
- Pop
- 2/100
- Length
- 7:04
- Released
- 2007
- Album
- Future Shock
- Genre
- Techno
- Label
- H. Productions
- Loudness
- -10.5 dB
- ISRC
- DEAZ30717918
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Future Shock - Original 2007original8B · 136
- Future Shock - Storm Mix 2007original3A · 136
A driving up-tempo techno cut, Future Shock - Mutata Mix 2007 sits in A♭ minor (1A) at 140 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Less groove-driven than 94% of Cari Lekebusch's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 89% of Cari Lekebusch's catalogue
- Energy:
- calmer than 84% of Cari Lekebusch's catalogue
- Reach:
- better known than 77% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Future Shock - Mutata Mix 2007 in?
Future Shock - Mutata Mix 2007 by Cari Lekebusch is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Future Shock - Mutata Mix 2007?
Future Shock - Mutata Mix 2007 runs at 140 BPM, a driving up-tempo track.
What mixes well with Future Shock - Mutata Mix 2007?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Future Shock - Mutata Mix 2007 good for peak time?
With energy 67 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 140 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
