This is 6 Minutes
- BPM
- 139
- Open Key
- 3m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:03
- Released
- 2005
- Album
- Everything Ecstatic Part II
- Genre
- Techno
- Loudness
- -11.2 dB
- ISRC
- GBCEL0500984
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
This is 6 Minutes runs 139 BPM in B minor (10A), a driving up-tempo techno record. Tonally it lands dark and driving. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. More underground than 99% of Four Tet's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 85% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This is 6 Minutes in?
This is 6 Minutes by Four Tet is in B minor, or 10A on the Camelot wheel.
What BPM is This is 6 Minutes?
This is 6 Minutes runs at 139 BPM, a driving up-tempo track.
What mixes well with This is 6 Minutes?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is This is 6 Minutes good for peak time?
With energy 68 out of 100 at 139 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 139 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More techno
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
