Loved by Four Tet cover art

30s preview

Key
10A · B minor
BPM
165
Half-time
83
Open Key
3m
Energy
65/100
Pop
44/100
Length
4:03
Released
2024
Genre
Downtempo
Label
Text Records
Loudness
-8.5 dB
Dynamics
12.2 dB
ISRC
GBXNG2425001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Loved: very fast downtempo, B minor (10A), 165 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 96% of Four Tet's catalogue.

Tempo:
faster than 93% of Four Tet's catalogue
Groove:
groovier than 84% of Four Tet's catalogue
Brightness:
brighter than 77% of Four Tet's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood57Balanced
Groove78
Acoustic25
Instrumental79
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Loved in?

Loved by Four Tet is in B minor, or 10A on the Camelot wheel.

What BPM is Loved?

Loved runs at 165 BPM, a very fast track.

What mixes well with Loved?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Loved good for peak time?

With energy 65 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 165 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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