1001 Amen Nights
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 3m
- Energy
- 67/100
- Pop
- 6/100
- Length
- 3:35
- Released
- 2018
- Genre
- Acid
- Loudness
- -13.3 dB
- Dynamics
- 13.9 dB
- ISRC
- NLCK41046988
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast acid cut, 1001 Amen Nights sits in B minor (10A) at 165 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Faster than 97% of Dax J's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 89% of Dax J's catalogue
- Brightness:
- brighter than 89% of Dax J's catalogue
- Low end:
- more treble-tilted than 87% of Dax J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is 1001 Amen Nights in?
1001 Amen Nights by Dax J is in B minor, or 10A on the Camelot wheel.
What BPM is 1001 Amen Nights?
1001 Amen Nights runs at 165 BPM, a very fast track.
What mixes well with 1001 Amen Nights?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is 1001 Amen Nights good for peak time?
With energy 67 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 165 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More acid
More from Dax J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
