Drone Farm by Carl Cox cover art

Drone Farm

Carl Cox

Key
12A · D♭ minor
BPM
165
Half-time
83
Open Key
5m
Energy
63/100
Pop
15/100
Length
4:16
Released
2026
Genre
Hardcore
Loudness
-8.6 dB
ISRC
GB6LT2600273

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 165 BPM in D♭ minor (12A), Drone Farm is a very fast hardcore production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 99% of Carl Cox's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
calmer than 92% of Carl Cox's catalogue
Groove:
less groove-driven than 89% of Carl Cox's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood41Balanced
Groove61
Acoustic1
Instrumental75
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Drone Farm in?

Drone Farm by Carl Cox is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Drone Farm?

Drone Farm runs at 165 BPM, a very fast track.

What mixes well with Drone Farm?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Drone Farm good for peak time?

With energy 63 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 165 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

#Track

More hardcore

More from Carl Cox

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track