Black Messiah by Kink cover art

Black Messiah

Kink

Key
7B · F major
BPM
165
Half-time
83
Open Key
12d
Energy
49/100
Pop
0/100
Length
4:08
Released
1978
Album
Misfits (Reissue)
Genre
Techno
Loudness
-8.6 dB
ISRC
USKO10403193

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Black Messiah is a very fast techno track in F major (7B) at 165 BPM. It is vocal-led. A 1978 production that still circulates in sets. More underground than 99% of Kink's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 90% of Kink's catalogue
Energy:
calmer than 80% of Kink's catalogue
Brightness:
brighter than 77% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood83Bright
Groove61
Acoustic30
Instrumental0
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Black Messiah in?

Black Messiah by Kink is in F major, or 7B on the Camelot wheel.

What BPM is Black Messiah?

Black Messiah runs at 165 BPM, a very fast track.

What mixes well with Black Messiah?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Black Messiah good for peak time?

With energy 49 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 165 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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