Far Away - Radio Edit
30s preview
- Key
- 8B · C major
- BPM
- 160
- Half-time
- 80
- Open Key
- 1d
- Energy
- 55/100
- Pop
- 1/100
- Length
- 4:00
- Released
- 2020
- Album
- Far Away / Butterfly
- Genre
- Techno
- Loudness
- -10.4 dB
- Dynamics
- 14.5 dB
- ISRC
- ITN3C2000022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Far Awayoriginal8B · 160
Against the original (8B at 160 BPM), this version holds the same tempo in the same key.
Far Away - Radio Edit is a very fast techno track in C major (8B) at 160 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Faster than 96% of Sam Paganini's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 95% of Sam Paganini's catalogue
- Energy:
- calmer than 90% of Sam Paganini's catalogue
- Low end:
- more treble-tilted than 84% of Sam Paganini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Far Away - Radio Edit in?
Far Away - Radio Edit by Sam Paganini is in C major, or 8B on the Camelot wheel.
What BPM is Far Away - Radio Edit?
Far Away - Radio Edit runs at 160 BPM, a very fast track.
What mixes well with Far Away - Radio Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Far Away - Radio Edit good for peak time?
With energy 55 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 160 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from Sam Paganini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
