x12 - SHERELLE's x160 Remix
30s preview
- Key
- 9B · G major
- BPM
- 160
- Half-time
- 80
- Open Key
- 2d
- Energy
- 80/100
- Pop
- 21/100
- Length
- 4:28
- Released
- 2025
- Album
- Fear Of Programming Remixes
- Genre
- Electro
- Label
- Dekmantel
- Loudness
- -10.6 dB
- Dynamics
- 9.0 dB
- ISRC
- NLTH62400035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- x12original3B · 128
Against the original (3B at 128 BPM), this version runs 32 BPM faster and moves the key from 3B to 9B.
At 160 BPM in G major (9B), x12 - SHERELLE's x160 Remix is a very fast electro production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 98% of Marcel Dettmann's catalogue.
- Reach:
- better known than 89% of Marcel Dettmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is x12 - SHERELLE's x160 Remix in?
x12 - SHERELLE's x160 Remix by Marcel Dettmann is in G major, or 9B on the Camelot wheel.
What BPM is x12 - SHERELLE's x160 Remix?
x12 - SHERELLE's x160 Remix runs at 160 BPM, a very fast track.
What mixes well with x12 - SHERELLE's x160 Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is x12 - SHERELLE's x160 Remix good for peak time?
With energy 80 out of 100 at 160 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 160 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More electro
More from Marcel Dettmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
