Nimbus MM
30s preview
- Key
- 4A · F minor
- BPM
- 160
- Half-time
- 80
- Open Key
- 9m
- Energy
- 78/100
- Pop
- 12/100
- Length
- 4:46
- Released
- 2022
- Genre
- Techno
- Loudness
- -9.5 dB
- Dynamics
- 9.0 dB
- ISRC
- DEYS32201003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast techno cut, Nimbus MM sits in F minor (4A) at 160 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 93% of Rodhad's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 79% of Rodhad's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Nimbus MM in?
Nimbus MM by Rodhad is in F minor, or 4A on the Camelot wheel.
What BPM is Nimbus MM?
Nimbus MM runs at 160 BPM, a very fast track.
What mixes well with Nimbus MM?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Nimbus MM good for peak time?
With energy 78 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 160 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
