Deadbug - Nadia Struiwigh Remix
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 7d
- Energy
- 85/100
- Pop
- 1/100
- Length
- 6:57
- Released
- 2023
- Album
- Deadbug (Nadia Struiwigh Remix)
- Genre
- Techno
- Loudness
- -7.5 dB
- Dynamics
- 8.6 dB
- ISRC
- USYLM2300027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deadbugoriginal2B · 131
- Deadbug - DEAS Remixremix8A · 138
Against the original (2B at 131 BPM), this version runs 29 BPM faster in the same key.
A very fast techno cut, Deadbug - Nadia Struiwigh Remix sits in F♯ major (2B) at 160 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 99% of Dubfire's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 96% of Dubfire's catalogue
- Low end:
- more bass-heavy than 80% of Dubfire's catalogue
- Energy:
- hotter than 75% of Dubfire's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Deadbug - Nadia Struiwigh Remix in?
Deadbug - Nadia Struiwigh Remix by Dubfire is in F♯ major, or 2B on the Camelot wheel.
What BPM is Deadbug - Nadia Struiwigh Remix?
Deadbug - Nadia Struiwigh Remix runs at 160 BPM, a very fast track.
What mixes well with Deadbug - Nadia Struiwigh Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Deadbug - Nadia Struiwigh Remix good for peak time?
With energy 85 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 160 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from Dubfire
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
