Digital Rain (EC1 Edit)
30s preview
- Key
- 9A · E minor
- BPM
- 160
- Half-time
- 80
- Open Key
- 2m
- Energy
- 87/100
- Pop
- 16/100
- Length
- 3:06
- Released
- 2024
- Album
- Digital Rain / I Miss You (EC1 Edit)
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 9.6 dB
- ISRC
- GBEXH2402033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Digital Rain (EC1 edit)version9A · 160
Digital Rain (EC1 Edit): very fast techno, E minor (9A), 160 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 93% of Daniel Avery's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 88% of Daniel Avery's catalogue
- Reach:
- better known than 80% of Daniel Avery's catalogue
- Energy:
- hotter than 78% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Digital Rain (EC1 Edit) in?
Digital Rain (EC1 Edit) by Daniel Avery is in E minor, or 9A on the Camelot wheel.
What BPM is Digital Rain (EC1 Edit)?
Digital Rain (EC1 Edit) runs at 160 BPM, a very fast track.
What mixes well with Digital Rain (EC1 Edit)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Digital Rain (EC1 Edit) good for peak time?
With energy 87 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 160 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
