Winx, quem acreditar
30s preview
- BPM
- 161
- Half-time
- 81
- Open Key
- 5m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 3:14
- Released
- 2010
- Album
- Believix
- Genre
- Acid
- Loudness
- -6.0 dB
- Dynamics
- 12.2 dB
- ISRC
- PTBM11000205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast acid cut, Winx, quem acreditar sits in D♭ minor (12A) at 161 BPM. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 97% of Josh Wink's catalogue
- Tempo:
- faster than 91% of Josh Wink's catalogue
- Low end:
- more treble-tilted than 83% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Winx, quem acreditar in?
Winx, quem acreditar by Josh Wink is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Winx, quem acreditar?
Winx, quem acreditar runs at 161 BPM, a very fast track.
What mixes well with Winx, quem acreditar?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Winx, quem acreditar good for peak time?
With energy 82 out of 100 at 161 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 161 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 151-171 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 161 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 161 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
