Forgotten Future by I Hate Models cover art

Forgotten Future

I Hate Models

30s preview

Key
9B · G major
BPM
154
Half-time
77
Open Key
2d
Energy
94/100
Pop
35/100
Length
6:43
Released
2024
Genre
Techno
Loudness
-3.4 dB
Dynamics
8.5 dB
ISRC
DGA0S2412469

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, Forgotten Future sits in G major (9B) at 154 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 93% of I Hate Models's catalogue. For programming, treat it as a high-intensity peak cut.

Brightness:
brighter than 80% of I Hate Models's catalogue
Reach:
better known than 76% of I Hate Models's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood32Dark
Groove54
Acoustic0
Instrumental1
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Forgotten Future in?

Forgotten Future by I Hate Models is in G major, or 9B on the Camelot wheel.

What BPM is Forgotten Future?

Forgotten Future runs at 154 BPM, a fast track.

What mixes well with Forgotten Future?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Forgotten Future good for peak time?

With energy 94 out of 100 at 154 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 154 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 154 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from I Hate Models

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track