Under the Tallest Arch
- Key
- 9A · E minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 2m
- Energy
- 99/100
- Pop
- 1/100
- Length
- 4:04
- Released
- 2019
- Genre
- Techno
- Loudness
- -11.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Under The Tallest Archoriginal9A · 150
Under the Tallest Arch runs 150 BPM in E minor (9A), a fast techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Hotter than 99% of Daniel Avery's catalogue.
- Brightness:
- brighter than 90% of Daniel Avery's catalogue
- Tempo:
- faster than 89% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Under the Tallest Arch in?
Under the Tallest Arch by Daniel Avery is in E minor, or 9A on the Camelot wheel.
What BPM is Under the Tallest Arch?
Under the Tallest Arch runs at 150 BPM, a fast track.
What mixes well with Under the Tallest Arch?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Under the Tallest Arch good for peak time?
With energy 99 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 150 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
