Underneath The Strobelights
30s preview
- Key
- 9B · G major
- BPM
- 150
- Half-time
- 75
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 9/100
- Length
- 4:40
- Released
- 2024
- Album
- Underneath The Strobelights (Exhale VA005)
- Genre
- Techno
- Loudness
- -5.3 dB
- Dynamics
- 13.0 dB
- ISRC
- BEN582400471
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 150 BPM in G major (9B), Underneath The Strobelights is a fast techno production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 99% of Amelie Lens's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 92% of Amelie Lens's catalogue
- Brightness:
- brighter than 89% of Amelie Lens's catalogue
- Reach:
- more underground than 77% of Amelie Lens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Underneath The Strobelights in?
Underneath The Strobelights by Amelie Lens is in G major, or 9B on the Camelot wheel.
What BPM is Underneath The Strobelights?
Underneath The Strobelights runs at 150 BPM, a fast track.
What mixes well with Underneath The Strobelights?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Underneath The Strobelights good for peak time?
With energy 85 out of 100 at 150 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 150 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Amelie Lens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
