Self Control (extended mix)
30s preview
- BPM
- 75
- Double-time
- 150
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:17
- Released
- 2025
- Genre
- Techno
- Loudness
- -4.3 dB
- Dynamics
- 13.5 dB
- ISRC
- USA2P2516376
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in B minor (10A), Self Control (extended mix) is a techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 99% of T78's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 99% of T78's catalogue
- Groove:
- less groove-driven than 98% of T78's catalogue
- Energy:
- hotter than 94% of T78's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Self Control (extended mix) in?
Self Control (extended mix) by T78 is in B minor, or 10A on the Camelot wheel.
What BPM is Self Control (extended mix)?
Self Control (extended mix) runs at 75 BPM.
What mixes well with Self Control (extended mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Self Control (extended mix) good for peak time?
With energy 99 out of 100 at 75 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 75 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
![Do You Know Why You Love Techno (feat. Elina) [Intro] by Nico Moreno cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/30a47286333c8c4af06a.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
