Freedom From Yourself
30s preview
- Key
- 9B · G major
- BPM
- 150
- Half-time
- 75
- Open Key
- 2d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:40
- Released
- 2021
- Genre
- Techno
- Loudness
- -6.0 dB
- Dynamics
- 8.7 dB
- ISRC
- NLCK41090127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 150 BPM in G major (9B), Freedom From Yourself is a fast techno production. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Sara Landry's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 96% of Sara Landry's catalogue
- Low end:
- more treble-tilted than 96% of Sara Landry's catalogue
- Energy:
- hotter than 78% of Sara Landry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Freedom From Yourself in?
Freedom From Yourself by Sara Landry is in G major, or 9B on the Camelot wheel.
What BPM is Freedom From Yourself?
Freedom From Yourself runs at 150 BPM, a fast track.
What mixes well with Freedom From Yourself?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Freedom From Yourself good for peak time?
With energy 99 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 150 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Sara Landry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
