Dead or Alive by Trentemøller cover art

Dead or Alive

Trentemøller

30s preview

Key
8B · C major
BPM
159
Half-time
80
Open Key
1d
Energy
88/100
Pop
12/100
Length
4:08
Released
2021
Genre
Minimal
Loudness
-7.6 dB
Dynamics
9.5 dB
ISRC
DEL022170049

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 159 BPM in C major (8B), Dead or Alive is a fast minimal production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 92% of Trentemøller's catalogue. In a set it works best as a high-intensity peak cut.

Brightness:
brighter than 90% of Trentemøller's catalogue
Tempo:
faster than 89% of Trentemøller's catalogue
Low end:
more treble-tilted than 82% of Trentemøller's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood55Balanced
Groove47
Acoustic0
Instrumental76
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Dead or Alive in?

Dead or Alive by Trentemøller is in C major, or 8B on the Camelot wheel.

What BPM is Dead or Alive?

Dead or Alive runs at 159 BPM, a fast track.

What mixes well with Dead or Alive?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Dead or Alive good for peak time?

With energy 88 out of 100 at 159 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 159 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 149-169 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 159 — beatmatch without a big tempo pull.

More minimal

More from Trentemøller

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 159 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track