Fear Of Programming - JASSS Remix
30s preview
- Key
- 5A · C minor
- BPM
- 79
- Double-time
- 158
- Open Key
- 10m
- Energy
- 71/100
- Pop
- 15/100
- Length
- 5:44
- Released
- 2025
- Album
- Fear Of Programming Remixes
- Genre
- Electro
- Label
- Dekmantel
- Loudness
- -15.4 dB
- Dynamics
- 17.4 dB
- ISRC
- NLTH62400038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fear Of Programming - Dopplereffekt Remixremix3B · 134
- Fear of Programmingoriginal5A · 84
Against the original (5A at 84 BPM), this version runs 5 BPM slower in the same key.
Fear Of Programming - JASSS Remix is an electro track in C minor (5A) at 79 BPM. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Slower than 99% of Marcel Dettmann's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 99% of Marcel Dettmann's catalogue
- Groove:
- less groove-driven than 98% of Marcel Dettmann's catalogue
- Reach:
- better known than 78% of Marcel Dettmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Fear Of Programming - JASSS Remix in?
Fear Of Programming - JASSS Remix by Marcel Dettmann is in C minor, or 5A on the Camelot wheel.
What BPM is Fear Of Programming - JASSS Remix?
Fear Of Programming - JASSS Remix runs at 79 BPM.
What mixes well with Fear Of Programming - JASSS Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Fear Of Programming - JASSS Remix good for peak time?
With energy 71 out of 100 at 79 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 79 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 79 — beatmatch without a big tempo pull.
More electro
More from Marcel Dettmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
