Fear Of Programming - Dopplereffekt Remix
- BPM
- 134
- Open Key
- 8d
- Energy
- 79/100
- Pop
- 21/100
- Length
- 5:00
- Released
- 2025
- Album
- Fear Of Programming Remixes
- Genre
- Electro
- Label
- Dekmantel
- Loudness
- -9.6 dB
- ISRC
- NLTH62400036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fear Of Programming - JASSS Remixremix5A · 79
- Fear of Programmingoriginal5A · 84
Against the original (5A at 84 BPM), this version runs 50 BPM faster and moves the key from 5A to 3B.
Fear Of Programming - Dopplereffekt Remix is a peak-time tempo electro track in D♭ major (3B) at 134 BPM. It reads as dark and driving. Faster than 95% of Marcel Dettmann's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 89% of Marcel Dettmann's catalogue
- Groove:
- less groove-driven than 88% of Marcel Dettmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fear Of Programming - Dopplereffekt Remix in?
Fear Of Programming - Dopplereffekt Remix by Marcel Dettmann is in D♭ major, or 3B on the Camelot wheel.
What BPM is Fear Of Programming - Dopplereffekt Remix?
Fear Of Programming - Dopplereffekt Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Fear Of Programming - Dopplereffekt Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Fear Of Programming - Dopplereffekt Remix good for peak time?
With energy 79 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 134 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More electro
More from Marcel Dettmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
