I Want You Too! by Luke Slater cover art

I Want You Too!

Luke Slater

30s preview

Key
12B · E major
BPM
133
Open Key
5d
Energy
77/100
Pop
3/100
Length
6:26
Released
1992
Genre
Techno
Loudness
-16.3 dB
Dynamics
13.0 dB
ISRC
GBBMQ0700479

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I Want You Too! is a peak-time tempo techno track in E major (12B) at 133 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 1992 production that still circulates in sets. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood47Balanced
Groove69
Acoustic0
Instrumental82
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is I Want You Too! in?

I Want You Too! by Luke Slater is in E major, or 12B on the Camelot wheel.

What BPM is I Want You Too!?

I Want You Too! runs at 133 BPM, a peak-time tempo track.

What mixes well with I Want You Too!?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is I Want You Too! good for peak time?

With energy 77 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#Track

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 133 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track