Ellipse by Terence Fixmer cover art
Key
2A · E♭ minor
BPM
170
Half-time
85
Open Key
7m
Energy
70/100
Pop
0/100
Length
3:41
Released
2015
Genre
Techno
Loudness
-13.5 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A very fast techno cut, Ellipse sits in E♭ minor (2A) at 170 BPM. The groove is loose and less beat-driven. It is vocal-led. The timbre leans bright. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Terence Fixmer's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 96% of Terence Fixmer's catalogue
Groove:
less groove-driven than 95% of Terence Fixmer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood14Dark
Groove37
Acoustic0
Instrumental19
Live8
Speech3
brightrelaxedvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Ellipse in?

Ellipse by Terence Fixmer is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Ellipse?

Ellipse runs at 170 BPM, a very fast track.

What mixes well with Ellipse?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Ellipse good for peak time?

With energy 70 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#Track

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 170 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#Track

More techno

More from Terence Fixmer

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track