Hate is Such A Strong Word
30s preview
- Key
- 8B · C major
- BPM
- 169
- Half-time
- 85
- Open Key
- 1d
- Energy
- 59/100
- Pop
- 8/100
- Length
- 2:23
- Released
- 2025
- Album
- Recordings
- Genre
- Techno
- Label
- Downwards
- Loudness
- -10.1 dB
- Dynamics
- 10.1 dB
- ISRC
- GBE5X2510245
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hate is Such A Strong Word runs 169 BPM in C major (8B), a very fast techno record. It reads as dark and steady. The groove is loose and less beat-driven. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 97% of Regis's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 92% of Regis's catalogue
- Groove:
- less groove-driven than 91% of Regis's catalogue
- Energy:
- calmer than 81% of Regis's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Hate is Such A Strong Word in?
Hate is Such A Strong Word by Regis is in C major, or 8B on the Camelot wheel.
What BPM is Hate is Such A Strong Word?
Hate is Such A Strong Word runs at 169 BPM, a very fast track.
What mixes well with Hate is Such A Strong Word?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Hate is Such A Strong Word good for peak time?
With energy 59 out of 100 at 169 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 169 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
More techno
More from Regis
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
