Get on Your Knees
- BPM
- 135
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 9/100
- Length
- 5:04
- Released
- 2001
- Genre
- Techno
- Loudness
- -8.7 dB
- ISRC
- GBE5X2000090
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get on Your Knees: driving up-tempo techno, B minor (10A), 135 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2001 production that still circulates in sets. Darker than 95% of Regis's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 94% of Regis's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get on Your Knees in?
Get on Your Knees by Regis is in B minor, or 10A on the Camelot wheel.
What BPM is Get on Your Knees?
Get on Your Knees runs at 135 BPM, a driving up-tempo track.
What mixes well with Get on Your Knees?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Get on Your Knees good for peak time?
With energy 94 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Regis
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
