Doors of Perception (Interlude)
- Key
- 9A · E minor
- BPM
- 170
- Half-time
- 85
- Open Key
- 2m
- Energy
- 45/100
- Pop
- 11/100
- Length
- 2:23
- Released
- 2019
- Genre
- House
- Loudness
- -11.0 dB
- ISRC
- FR96X1972097
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 170 BPM in E minor (9A), Doors of Perception (Interlude) is a very fast house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 95% of Chris Lorenzo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 95% of Chris Lorenzo's catalogue
- Brightness:
- darker than 90% of Chris Lorenzo's catalogue
- Groove:
- less groove-driven than 79% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Doors of Perception (Interlude) in?
Doors of Perception (Interlude) by Chris Lorenzo is in E minor, or 9A on the Camelot wheel.
What BPM is Doors of Perception (Interlude)?
Doors of Perception (Interlude) runs at 170 BPM, a very fast track.
What mixes well with Doors of Perception (Interlude)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Doors of Perception (Interlude) good for peak time?
With energy 45 out of 100 at 170 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 170 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
