1702
- Key
- 9B · G major
- BPM
- 167
- Half-time
- 84
- Open Key
- 2d
- Energy
- 19/100
- Pop
- 2/100
- Length
- 4:11
- Released
- 2010
- Genre
- Techno
- Loudness
- -17.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast techno cut, 1702 sits in G major (9B) at 167 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Calmer than 99% of Alan Fitzpatrick's catalogue.
- Tempo:
- faster than 99% of Alan Fitzpatrick's catalogue
- Groove:
- less groove-driven than 99% of Alan Fitzpatrick's catalogue
- Brightness:
- darker than 99% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 1702 in?
1702 by Alan Fitzpatrick is in G major, or 9B on the Camelot wheel.
What BPM is 1702?
1702 runs at 167 BPM, a very fast track.
What mixes well with 1702?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is 1702 good for peak time?
With energy 19 out of 100 at 167 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 167 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 157-177 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 167 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 167 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
