Long Road to Life - Vincent Gericke Remix by Landhouse cover art

Long Road to Life - Vincent Gericke Remix

Landhouse

30s preview

Key
10A · B minor
BPM
168
Half-time
84
Open Key
3m
Energy
38/100
Pop
1/100
Length
5:50
Released
2023
Album
Ambeela (The Remixes)
Genre
House
Loudness
-15.3 dB
Dynamics
15.7 dB
ISRC
US83Z2350334

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9A at 168 BPM), this version holds the same tempo and moves the key from 9A to 10A.

Long Road to Life - Vincent Gericke Remix is a very fast house track in B minor (10A) at 168 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Less groove-driven than 94% of Landhouse's catalogue. For programming, treat it as a warm-up or breakdown cut.

Tempo:
faster than 88% of Landhouse's catalogue
Low end:
more treble-tilted than 80% of Landhouse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood23Dark
Groove47
Acoustic89
Instrumental84
Live11
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Long Road to Life - Vincent Gericke Remix in?

Long Road to Life - Vincent Gericke Remix by Landhouse is in B minor, or 10A on the Camelot wheel.

What BPM is Long Road to Life - Vincent Gericke Remix?

Long Road to Life - Vincent Gericke Remix runs at 168 BPM, a very fast track.

What mixes well with Long Road to Life - Vincent Gericke Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Long Road to Life - Vincent Gericke Remix good for peak time?

With energy 38 out of 100 at 168 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 168 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 168 — beatmatch without a big tempo pull.

More house

#Track

More from Landhouse

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track