End I by SNTS cover art

End I

SNTS

Key
8A · A minor
BPM
167
Half-time
84
Open Key
1m
Energy
3/100
Pop
5/100
Length
4:19
Released
2013
Genre
Techno
Loudness
-28.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast techno cut, End I sits in A minor (8A) at 167 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of SNTS's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
less groove-driven than 99% of SNTS's catalogue
Tempo:
faster than 96% of SNTS's catalogue
Brightness:
darker than 93% of SNTS's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy3
Mood4Dark
Groove9
Acoustic80
Instrumental89
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is End I in?

End I by SNTS is in A minor, or 8A on the Camelot wheel.

What BPM is End I?

End I runs at 167 BPM, a very fast track.

What mixes well with End I?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is End I good for peak time?

With energy 3 out of 100 at 167 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 167 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 157-177 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 167 — beatmatch without a big tempo pull.

#Track

More techno

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Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 167 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track