Take Ü There (feat. Kiesza) - Missy Elliott Remix
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 4m
- Energy
- 90/100
- Pop
- 21/100
- Length
- 3:30
- Released
- 2015
- Album
- Take Ü There (feat. Kiesza) [Missy Elliott Remix]
- Genre
- Dubstep
- Loudness
- -1.5 dB
- Dynamics
- 9.9 dB
- ISRC
- USAT21500506
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Ü There (feat. Kiesza) - Zeds Dead Remixremix9A · 152
- Take Ü There (feat. Kiesza)original11A · 160
- Take Ü There (feat. Kiesza) - Tchami Remixremix11A · 127
- Take Ü There (feat. Kiesza) - Netsky Remixremix11B · 174
- Take Ü There (feat. Kiesza) - TJR Remixremix7A · 130
- Take Ü There (feat. Kiesza) - Tujamo Remixremix11A · 130
Against the original (11A at 160 BPM), this version holds the same tempo in the same key.
Take Ü There (feat. Kiesza) - Missy Elliott Remix runs 160 BPM in F♯ minor (11A), a very fast dubstep record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Darker than 89% of Skrillex's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 87% of Skrillex's catalogue
- Groove:
- less groove-driven than 82% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Take Ü There (feat. Kiesza) - Missy Elliott Remix in?
Take Ü There (feat. Kiesza) - Missy Elliott Remix by Skrillex is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Take Ü There (feat. Kiesza) - Missy Elliott Remix?
Take Ü There (feat. Kiesza) - Missy Elliott Remix runs at 160 BPM, a very fast track.
What mixes well with Take Ü There (feat. Kiesza) - Missy Elliott Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Take Ü There (feat. Kiesza) - Missy Elliott Remix good for peak time?
With energy 90 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 160 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
