The Thrill
30s preview
- Key
- 1B · B major
- BPM
- 76
- Double-time
- 152
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 32/100
- Length
- 3:30
- Released
- 2015
- Album
- Between II Worlds
- Genre
- Synth Pop
- Label
- Cherrytree Records
- Loudness
- -3.9 dB
- Dynamics
- 11.0 dB
- ISRC
- GBUM71502686
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Thrill (Porter Robinson remix)remix1A · 80
- The Thrill - Porter Robinson Remixremix1A · 80
- The Thrill - KANT Remixremix3A · 118
- The Thrill - René LaVice's Thrillseeking Remixremix11B · 174
- The Thrill - TCTS Remixremix4A · 120
At 76 BPM in B major (1B), The Thrill is a synth pop production. Vocals read as voice. The timbre leans dark. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. Slower than 99% of Nero's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 93% of Nero's catalogue
- Reach:
- better known than 84% of Nero's catalogue
- Groove:
- less groove-driven than 80% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is The Thrill in?
The Thrill by Nero is in B major, or 1B on the Camelot wheel.
What BPM is The Thrill?
The Thrill runs at 76 BPM.
What mixes well with The Thrill?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is The Thrill good for peak time?
With energy 97 out of 100 at 76 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 76 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 76 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
