Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix
30s preview
- BPM
- 128
- Open Key
- 6m
- Energy
- 93/100
- Pop
- 32/100
- Length
- 4:18
- Released
- 2014
- Album
- Delirious (Boneless) (feat. Kid Ink) [Remixes]
- Genre
- House
- Loudness
- -4.3 dB
- Dynamics
- 10.3 dB
- ISRC
- USUS11202866
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Delirious (Boneless)original1A · 128
- Delirious (Boneless) (feat. Kid Ink) - Reid Stefan Remixremix4B · 130
- Delirious (Boneless) (feat. Kid Ink) - Radio Editversion4B · 128
Against the original (1A at 128 BPM), this version holds the same tempo in the same key.
A peak-time tempo house cut, Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix sits in A♭ minor (1A) at 128 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Brighter than 93% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Chris Lake's catalogue
- Groove:
- groovier than 82% of Chris Lake's catalogue
- Reach:
- better known than 80% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix in?
Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix by Chris Lake is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix?
Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remix good for peak time?
With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
