Delirious (Boneless) (feat. Kid Ink) - Radio Edit
- BPM
- 128
- Open Key
- 9d
- Energy
- 94/100
- Pop
- 5/100
- Length
- 3:05
- Released
- 2014
- Album
- Delirious (Boneless) (feat. Kid Ink) [Radio Edit]
- Genre
- House
- Loudness
- -6.1 dB
- ISRC
- USUS11202824
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Delirious (Boneless)original1A · 128
- Delirious (Boneless) (feat. Kid Ink) - Chris Lorenzo Remixremix1A · 128
- Delirious (Boneless) (feat. Kid Ink) - Reid Stefan Remixremix4B · 130
Against the original (1A at 128 BPM), this version holds the same tempo and moves the key from 1A to 4B.
At 128 BPM in A♭ major (4B), Delirious (Boneless) (feat. Kid Ink) - Radio Edit is a peak-time tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. A 2014 production that still circulates in sets. Brighter than 96% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 84% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Delirious (Boneless) (feat. Kid Ink) - Radio Edit in?
Delirious (Boneless) (feat. Kid Ink) - Radio Edit by Chris Lake is in A♭ major, or 4B on the Camelot wheel.
What BPM is Delirious (Boneless) (feat. Kid Ink) - Radio Edit?
Delirious (Boneless) (feat. Kid Ink) - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Delirious (Boneless) (feat. Kid Ink) - Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Delirious (Boneless) (feat. Kid Ink) - Radio Edit good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
